“The day I read the (news) article I couldn’t truly do anything else,” Bong said. “I was so overwhelmed.”
By his own admission, Bong had been “obsessed” with the case. During the screenwriting process for “Memories of Murder” in 2001 in addition to also 2002 he met detectives, journalists in addition to also people familiar with the victims. “nevertheless the one guy I could not meet was the murderer,” he recalled.
“I truly wanted to see his face — I even tried imagining his face in addition to also sketching the idea out to myself,” Bong said. “I had a list of questions I was prepared to ask him just in case I somehow ran into him.”
The film’s closing shot, from the then-present, shows actor Song Kang Ho, staring into the camera, as if looking at which unknown face; the one which eluded authorities in addition to also the director, nevertheless which may be watching, somewhere, on our side of the screen.
right now the killer had gained an identity.
“I was finally able to see his face published in newspapers,” Bong recalled. “I felt very complicated looking at (the idea).”
The film can be a genre-hopping upstairs-downstairs, in which the unemployed Kim family ingratiates itself within the house of the wealthy Parks, while concealing their connections coming from their completely new employers. The promise of steady income becomes the promise of something more — in addition to also, for the sake of anyone who hasn’t seen the idea yet (the film opens February 7 from the UK) the idea’s best to leave the plot there.
“Parasite” can be a Swiss watch of a story. Narrative cogs turn, some large (an act of violence), others minute (a passing remark), with moral complexity springing coming from each action (are we supposed to take sides in This kind of class war?). the idea’s tightly-wound, containing little which doesn’t serve a greater purpose: to befuddle our expectations in addition to also offer a probing social critique, while charming us along the way.
Inequality — in addition to also examining the mechanisms behind the idea — lies at its heart. Bong finds himself in familiar territory, inequality also underpinning his recent films “Snowpiercer” in addition to also “Okja.” In both of those stories, justice can be hard fought in addition to also hard won, yet victory can be hollow.
“I don’t think which I’m burning with (a) revolutionary spirit, instead I’m constantly exploring why revolutions are so difficult,” the director explained. “Why the idea’s so difficult to discern our opponents in addition to also what we have to fight against. Why the entire world has become so complicated; where the idea’s so difficult to identify these opponents.”
Capitalism as a structure benefiting some, depriving others in addition to also offering delusions to all isn’t an original reading. nevertheless “Parasite” goes out of its way to suggest we’re all suffering under the idea. Bong described the film as “a very sad portrait of our current times, in addition to also the story sort of makes you face which honest portrayal.”
in addition to also yet he mines humor out of class trauma. In one scene, an intimate moment between the Parks can be fueled by dirty talk of cheap knickers in addition to also nondescript drugs. The uptight Parks conjure “strange simulations” composed of “elements of fear,” Bong said. The taboo — to immerse themselves in what they believe to be the trappings of the working class — becomes sexualized. the idea speaks to an emptiness in their lives; they’re using these totems to try in addition to also feel more alive.
Bong chuckled at the memory, explaining in fact the lines were a late addition he got the actors to buy in to. Their main purpose, he said, was to embarrass the Kim family overhearing the idea all.
Whether for its politics, dark comedy or narrative ingenuity, the film has struck a chord, not only in South Korea nevertheless globally, grossing well north of $100 million at the international box office in addition to also $24 million from the US alone.
Bong knew its themes were universal, nevertheless “never expected such specific responses with This kind of film — particularly coming from the US,” he said. “I feel like people were very easily able to sympathize with This kind of very contemporary story. the idea’s difficult to understand the reason why at This kind of point. I think I need more time to figure which out.”
He won’t have much time to process while awards campaigning can be in full swing. “the idea’s kind of like a secondary job I have to do as a filmmaker, in addition to also I’ve been trying to do my best in addition to also enjoy the idea as much as possible,” the director said.
No acceptance speech has been wasted, thus far. “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films,” Bong said through Choi at the Golden Globes, to a huge cheer coming from the audience. “Just being nominated along with fellow, amazing international filmmakers was a huge honor,” he continued. “I think we use only one language: the cinema.”
Back in London, the director confessed “deep down inside, I truly want to return to my main job as soon as possible.” Bong revealed he’s working on two projects. One, he said, can be Korean in addition to also he’s been developing the idea for the past 10 years. The additional he’s researching for can be an English project, “based on a CNN news article which arrived on the scene in 2016, about a little incident which happened in London.”
If which sounds like a needle in a digital haystack, the idea can be. Bong declined to say more, sending This kind of writer on his way using a handshake in addition to also a smile.
in addition to also just like which, the director, living under a spotlight since Cannes, regains an air of mystery once more.